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Surviving in the Particular? Uni(versali)ty and Multiplicity in the Novels of Richard Powers

Bibliographic Data

ID12997223
AuthorsHeinz Ickstadt (Fraunhofer Institute for Telecommunications, Heinrich Hertz Institute, corresponding author)
Year2007
Volume2
Issue1
Publication date2007-01-01
Open AccessYes
TypeARTICLE
VenueEuropean Journal of American Studies (JOURNAL)
Journal identifiersISSN: 1991-9336 • E-ISSN: 1991-9336
PublisherEuropean Association for American Studies (PUBLISHER • FR)
DOI10.4000/ejas.1119
OpenAlexW1981941451
LanguageEN
References cited3

Although some of the ‘masters’ of postmodernism are still producing ‘postmodern’ narratives (e.g. Robert Coover with his recent Lucky Pierre), contemporary American fiction has largely moved ‘back’ into realism’s territory of the everyday that the postmodernists had been so determined to abandon. It is true that, as in the case of Don DeLillo, this new realism is not grounded in any ontological notion of the ‘real’ but in an experienced ‘hyper-reality’ of surface and of image. Yet it makes ne

Art · Genealogy · Literature · Multiplicity (mathematics · Contemporary Literature and Criticism · Crime and Detective Fiction Studies · History · Mathematics · Narrative Theory and Analysis

  • The Metaphysical Club

    Louis Menand•The Metaphysical Club•2002

  • Art as Experience (1934)

    John Dewey•Art and Its Significance•2026

Highly citedNo

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