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Queer Fluidities

William S. Burroughs’ Conradian Traces

Bibliographic Data

ID12997381
AuthorsBenjamin J Heal (0000-0002-7053-4417, Institute for Literature, corresponding author)
Year2025
Volume20
Issue4
Publication date2025-01-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueEuropean Journal of American Studies (JOURNAL)
Journal identifiersISSN: 1991-9336 • E-ISSN: 1991-9336
PublisherEuropean Association for American Studies (PUBLISHER • FR)
DOI10.4000/15oy3
OpenAlexW7128907994
LanguageEN
References cited14

Burroughs’ works continue to be of interest to contemporary criticism as examples of the mutable subject, with experiments ranging from the editing (and endless re-editing) of a text, to the active production of open-ended, oscillating, fluid texts and transmedial productions and collaborations. Frequently noting the influence of Joseph Conrad on his works as a comparative anchor, this essay builds a historical/contextual analysis of the resonances between the writers’ works in their contemporaneous contexts, while considering the symbolic function of the sea and fluidity in those works. In this context, Burroughs’ works demonstrate a fluidity that reflects motifs present in several of Conrad’s works, which present bodies of water as sources of psychological darkness, unknowability and disconnection. These sensibilities are especially apparent through Burroughs’ attacks on what he saw as the negative psychological effects of twentieth-century American Neo-Imperialism and cultural hegemony through non-linear literary techniques, and explicit homosexual imagery where fluid of all forms acts as an anti-binary source of connection. This article will consider such distinctions, exploring further the parallels between Conrad and Burroughs’ works in the contexts of the sea and fluidity, as sites and spaces of queer resistance

American literature · Criticism · Hegemony · Parallels · Queer · The Symbolic · American and British Literature Analysis · Ecocriticism and Environmental Literature · Poetry Analysis and Criticism

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    Jack Halberstam, J Jack Halberstam•In a Queer Time and Place•2022

Citation velocityhistorical
Highly citedNo

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