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Encountering sound

The musical dimensions of silent cinema

Bibliographic Data

ID12998474
AuthorsPaul Cuff (0000-0003-2936-9939, University of Warwick, corresponding author)
Year2018
Volume10
Issue1
Pages1424484-1424484
Publication date2018-01-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueJournal of AESTHETICS & CULTURE (JOURNAL)
Journal identifiersISSN: 2000-4214 • E-ISSN: 2000-4214
PublisherTaylor & Francis (PUBLISHER • GB)
DOI10.1080/20004214.2018.1424484
OpenAlexW2783209292
LanguageEN
Citations received1
References cited28

This article identifies silent film soundtracks as evidence of the tensions between old and new audiovisual cultures, and examines the distinctions between our experience of live and mediated cinema through contemporary modes of presentation. My primary interest is in the aesthetic and cultural dimensions of film sound, and the ways in which digital technology influences the creation, performance, and recording of music for silent cinema. Parallel to this subject, I address the relationship between scholars and their object of study. I analyse how different audiovisual environments (rehearsal and concert spaces, recording studios, theatrical and domestic spaces) shape the aesthetics of film sound and the culture of its reception. More generally, this article seeks to engage film studies with media and performance studies, arguing that a reflective and interdisciplinary approach is needed to evaluate our ever-changing encounters with live and recorded film sound

Acoustics · Aesthetics · Art · Film studies · Linguistics · Movie theater · Musical · Object (grammar · Presentation (obstetrics · Sociology · Sound (geography · Sound recording and reproduction · Studio · Subject (documents · Visual arts · Cinema and Media Studies · Computer Science · Music History and Culture · Radio, Podcasts, and Digital Media

  • Auto-organização nos manuais do cinema silencioso

    Open Access•Eduardo Hebling, Jônatas Manzolli•Música Hodie•2022

  • Music, Sound and Multimedia

    Open Access•Jamie Sexton•Music, Sound and Multimedia•2007

  • Digital Performance

    Steve Dixon•Digital Performance•2007

  • Unmarked

    Peggy Phelan•Unmarked•2003

  • The Audience Experience

    Jennifer Radbourne, Hilary Glow et al.•Audience Experience•2013

  • Unmarked

    Peggy Phelan•Unmarked•1993

  • Music, Sound and Multimedia

    Jamie Sexton•Music, Sound and Multimedia•2007

  • After the Silents

    Michael Slowik•After the Silents: Hollywood Film…•2014

  • Memory, Forgetting and the Moving Image

    Open Access•Caterina Albano•Memory, Forgetting and the Moving…•2016

  • The Language of New Media

    Лев Манович, Lev Manovich•Canadian Journal of Communication•2002

  • Early Cinema Today

    Stephanie Jones•Media History•2014

  • Early Cinema Today

    Chris O’rourke•Historical Journal Of Film Radio…•2014

  • The Sounds of the Silents in Britain

    Jeffrey Mifflin•Historical Journal Of Film Radio…•2013

  • The Sound of Silents

    Norman King•Screen•1984

  • Silent cinema

    Paul Cuff•Screen•2016

  • Conditions of Music

    Open Access•Alan Durant•Conditions of Music•1984

Unique citing works1
Citations per year0.25
Citation span2022 - 2022 (1)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 1

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