Repeat after me
The automatic labours of love
Bibliographic Data
| ID | 12998664 |
|---|---|
| Authors | Lee Mackinnon (0000-0002-1448-497X, University of the Arts London, corresponding author) |
| Year | 2018 |
| Volume | 10 |
| Issue | 3 |
| Pages | 1438735-1438735 |
| Publication date | 2018-05-18 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Journal of AESTHETICS & CULTURE (JOURNAL) |
| Journal identifiers | ISSN: 2000-4214 • E-ISSN: 2000-4214 |
| Publisher | Taylor & Francis (PUBLISHER • GB) |
| DOI | 10.1080/20004214.2018.1438735 |
| OpenAlex | W2803855959 |
| Language | EN |
| Citations received | 2 |
| References cited | 12 |
Modern romantic love is contemplated in association with industrial forms of production and labour. Attention is paid to the ways in which women are industrialisation’s automatic operatives par excellence, as well as the subjects and objects of love
Discourse Networks, 1800/1900
Love as Passion
Renaissance Self-Portraiture
The Devil's Milk
The Naturalized Female Intellect
Gramophone, Film, Typewriter
When Computers Were Women
From Max Weber
Emotion, Thought, and Estrangement
Enlightenment Calculations
The Defecating Duck, or, the Ambiguous Origins of Artificial Life
| Unique citing works | 2 |
|---|---|
| Citations per year | 1 |
| Citation span | 2024 - 2025 (2) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 2 |