Storytelling as a political act
Towards a politics of complexity and counter-hegemonic narratives
Dados Bibliográficos
| ID | 13004079 |
|---|---|
| Autores | Kathleen Erwin (0000-0003-1785-6457, Durban University of Technology, autor correspondente) |
| Ano | 2020 |
| Volume | 13 |
| Fascículo | 3 |
| Páginas | 237-252 |
| Data de publicação | 2020-12-04 |
| Peer Reviewed | Sim |
| Open Access | Não |
| Tipo | ARTICLE |
| Periódico | Critical African Studies (JOURNAL) |
| Identificadores do periódico | ISSN: 2040-7211 • E-ISSN: 2168-1392 |
| Editora | Taylor & Francis (PUBLISHER • GB) |
| DOI | 10.1080/21681392.2020.1850304 |
| OpenAlex | W3113099936 |
| Idioma | EN |
| Citações recebidas | 8 |
| Referências citadas | 32 |
Making accessible research findings through forms of storytelling is a useful method for activist and public scholarship. This article explores these possibilities through a project on migration and gender in the city of Durban, in South Africa. The research project collected oral histories of migrant women’s experiences in the city, and, in collaboration with artists, wove these narratives into a theatre performance titled The Last Country. The Last Country used an anti-essentialist politics to complicate, disrupt and make messy exclusionary hegemonic narratives on migration and gender that circulated within the contemporary social fabric. Storytelling as a political act is made visible through a reflection on the storytelling processes in the project. Building a chorus of voices, not just in the stories performed but in the design, data collection and analysis stage of a research project, is a productive and critical method for developing storytelling as an intentional political act. Public storytelling, such as The Last Country, used counter-hegemonic narratives to disrupt, disarticulate and expand dominant storylines, so that we may reimagine anew alternative ways of seeing and being in the city
Art · Essentialism · Hegemony · Literature · Media studies · Narrative · Political science · Politics · Scholarship · Sociology · Storytelling · Gender Studies · Law · Oral History, Memory, Narrative Analysis · Qualitative Research Methods and Ethics · South African History and Culture
Sanism and Narrative Research
Participatory community mapping to include sociocultural dimensions in ocean governance
Protecting Children’s Rights to Development and Culture by Re-Imagining “Ocean Literacies”
Leisure in creative media for mental health equity
Youth Choreographing Peace
The development of a smart political moral economy in Africa
By sharing our loss, we fight
The economic lives of migrant women in a South African city
Curated Stories
Deep stories, nostalgia narratives, and fake news
Go Home or Die Here
Building inclusive nations in the age of migration
Forced transnationalism and temporary labour migration
Pretending to know
Repoliticizing international migration narratives? Critical reflections on the Civil Society Days of the Global Forum on Migration and Development
Migration and the SDGs
Collaboration as Resistance? Reconsidering the processes, products, and possibilities of feminist oral history and ethnography
Thinking sociologically
Introduction
Turning up the Volume
Against Race
Only Human
Another Lost Decade
Governing the city? South Africa's struggle to deal with urban immigrants after apartheid
Negotiating the Past
Displacing place-identity
The drama of country and city
Science in Context
Religion and the foundation of urban difference
Imagining Immigration
Ambivalent Narrations
On having Voice and Being Heard
A contextualisation of the 2008 and 2015 xenophobic attacks
The Sociology of Storytelling
Towards a new public space
Dangerous others, insecure societies
| Obras citantes distintas | 8 |
|---|---|
| Citações por ano | 2 |
| Intervalo de citações | 2022 - 2026 (5) |
| Velocidade de citação | current |
| Altamente citado | Não |
| Tipos de citação | Neutras: 8 |