Writers, artists, mothers

This article traces the development of figures of the author in the short fiction of the Irish writer Mary Lavin against the background of her anomalous position as woman, writer and mother in the conservative and patriarchal context of mid-century Ireland. Through a detailed reading of six stories, the article shows how after staging a confident author figure in the early ‘A Story with a Pattern’, Lavin turns to dramatizing the tension between her roles as mother and artist in a series of oppositional characters in stories such as ‘The Becker Wives’, ‘Eterna’ and ‘In a Café’. Her artist figures, modelled after the Romantic conception of the author as exceptionally gifted outsiders, are unable to attain ‘ordinary’ lives as wives or mothers; while Lavin’s ‘alter egos’ in the so-called widow stories are depicted only in a domestic context. Only in two stories written at the end of her career does Lavin again stage an author figure who combines the roles of mother and writer, thus offering an alternative to the Romantic image of the author that has long dominated Irish literary culture

Art · Context (archaeology · Irish · Linguistics · Literature · Reading (process · Romance · History · Irish and British Studies · Philosophy