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From foot to pencil, from pencil to finger

Children as digital wayfarers

Bibliographic Data

ID13005671
AuthorsΜαρία Δαρδανού (0000-0003-3247-158X, UiT The Arctic University of Norway, corresponding author)
Year2019
Volume9
Issue4
Pages348-359
Publication date2019-12-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueGlobal Studies of Childhood (JOURNAL)
Journal identifiersISSN: 2043-6106 • E-ISSN: 2043-6106
PublisherSAGE Publishing (PUBLISHER • US)
DOI10.1177/2043610619885388
OpenAlexW2994424482
LanguageEN
Citations received2
References cited31

The aim of this article is to investigate ways that young children interact with touchscreen devices during museum visits and during the process of making a digital story in their kindergarten classrooms related to these visits. Drawing on children’s communicative embodied museum experiences and the notion of wayfaring and lines of movement, I discuss that digital stories become children’s visual lines of movement in time and place, and that through the process of making a digital story, children become digital wayfarers. Data include pictures, videos, children’s drawings and their digital story. In particular, I argue that this way back to the museum can be seen as children’s visual and digital ways of connecting with, interacting with and inhabiting the museum. This article gives insights on children as creative meaning makers, by looking at children’s perspectives and by exploring children’s visual lines of movement through their digital story

Aesthetics · Art · Digital culture · Embodied cognition · Human–computer interaction · Meaning (existential · Meaning-making · Media studies · Movement (music · Pencil (optics · Sociology · Touchscreen · Visual arts · Child Development and Digital Technology · Communication · Computer Science · Digital Storytelling and Education · Engineering · Literacy, Media, and Education · Psychology

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    Open Access•L Hjorth, Sarah Pink•Mobile Media & Communication•2013

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Unique citing works2
Citations per year0,5
Citation span2022 - 2024 (3)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 2
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