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Mediating Corporeality

Re-Interpretations at the Art/Science Interface

Bibliographic Data

ID13008176
AuthorsPatricia Adams (corresponding author)
Year2012
Volume2
Issue2
Pages284-304
Publication date2012-08-20
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueSomatechnics (JOURNAL)
Journal identifiersISSN: 2044-0138 • E-ISSN: 2044-0146
PublisherEdinburgh University Press (PUBLISHER • GB)
DOI10.3366/soma.2012.0062
OpenAlexW2104464040
LanguageEN
References cited9

Contemporary scientific discoveries are rapidly modifying established concepts of embodiment and corporeality. For example, developing techniques in adult stem cell research can actively remodel the human body; whilst neuroscientists are shedding increasing light on the functioning of our brains. My research at the art/science nexus draws upon recent media theories to investigate the ways twenty-first century constructs of ‘humanness’ and the ‘self’ are affected by both historical and contemporary scientific research and developments in digital imaging technologies. In this article, examples from my artworks: “machina carnis” and “HOST” illustrate how my use of innovative digital technologies and collaborative methodologies has enabled me to immerse myself in the scientific experience at first hand. I demonstrate how my reinterpretations of what is commonly termed ‘hard’ scientific research data does not seek to emulate ‘objective’ readings of the experimental digital image data but rather recontextualises it in the context of my artworks. These artworks acknowledge the personal and visceral content in the scientific data and enable viewer/participants to reflect upon the issues raised from an emotive and individual perspective

Aesthetics · Art · Cognitive science · Context (archaeology · Digital media · Emotive · Epistemology · Nexus (standard · Perspective (graphical · Visual arts · World Wide Web · Artistic and Creative Research · Computer Science · Embodied and Extended Cognition · History · Neuroethics, Human Enhancement, Biomedical Innovations · Psychology

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  • Technological Research and Development as a Source of Ideas and Inspiration for Artists

    Wilson, Stephen Wilson•Leonardo•1991

  • The Man Who Knew Too Much

    Max Cooper•The English Historical Review•2003

  • We Have Never Been Modern

    T Hugh Crawford, Tony Crawford•Configurations•1994

  • Simians, Cyborgs, and Women

    Donna Haraway•Simians, Cyborgs, and Women•2013

Citation velocityhistorical
Highly citedNo

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