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A Woman's Novel

Olive Schreiner, Mona Caird, and Hélène Cixous's Écriture Féminine

Bibliographic Data

ID13008604
AuthorsMarina Cano (University of Limerick, corresponding author)
Year2019
Volume9
Issue1
Pages1-18
Publication date2019-02-18
Open AccessYes
TypeARTICLE
VenueVictoriographies (JOURNAL)
Journal identifiersISSN: 2044-2416 • E-ISSN: 2044-2424
PublisherEdinburgh University Press (PUBLISHER • GB)
DOI10.3366/vic.2019.0323
OpenAlexW2917613408
LanguageEN
References cited17

In the 1880s and 1890s, New Woman writers changed the face of British society and British fiction through their sexually open works, which critiqued old notions of marriage, and through their stylistic experimentation, which announced the modernist novel. New Woman scholarship has often studied their work in connection with that of French feminists of the late twentieth century, such as Julia Kristeva, Luce Irigaray, and Hélène Cixous. This article reconsiders the nature of this connection through a close examination of novels by two of the most popular New Woman authors, Mona Caird (1854–1932) and Olive Schreiner (1855–1920). I read Caird's The Wing of Azrael (1889) and Schreiner's The Story of an African Farm (1883) through the lens of Hélène Cixous's theories of écriture féminine, or feminine writing, to question the accusation of biological determinism which is frequently directed at both groups of writers. By applying Cixous's notions of feminine aesthetics, bisexuality, and alterity to Caird and Schreiner, my study provides the basis for a new understanding of their novels. More generally, it complements and qualifies the connection between the New Woman and so-called French feminism, thereby helping produce a more complex framework to study the fin de siècle

Art · Art history · Connection (principal bundle · Feminism · Literature · New Woman · Sociology · French Historical and Cultural Studies · Gender Studies · Historical Studies and Socio-cultural Analysis · Historical Studies on Reproduction, Gender, Health, and Societal Changes · History

  • This Sex Which is Not One

    Open Access•Luce Irigaray•Feminisms•1977

  • Love and Eugenics in the Late Nineteenth Century

    Angelique Richardson•Love and eugenics in the late…•2003

  • New Woman Fiction

    Open Access•Ann Heilmann•New Woman Fiction•2000

  • New Woman Hybridities

    Margaret Beetham, Ann Heilmann•New Woman Hybridities•2004

  • The Irish New Woman

    Open Access•Tina O’Toole, Tina O'Toole•Irish New Woman•2013

  • The Healing Imagination of Olive Schreiner

    Thabo Nkosinathi Masemola, Joyce Avrech Berkman•Human Rights Quarterly•1990

  • The Invention of French Feminism

    Christine Delphy•Yale French Studies•2000

  • Castration or Decapitation

    Hélène Cixous, A Kuhn•Signs: Journal of Women in…•1981

  • The Laugh of the Medusa

    Hélène Cixous, Keith Cohen et al.•Signs: Journal of Women in…•1976

Highly citedNo

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