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Enduring Epidemic

Aesthetic Aftershocks of the 1914 Plague and the Segregation of Dakar

Datos Bibliográficos

ID13015372
AutoresT Warner (0000-0002-6978-1314, University of California, Davis, autor de correspondencia)
Año2022
Volumen9
Número3
Páginas293-316
Fecha de publicación2022-09-01
Peer ReviewedSí
Open AccessSí
TipoARTICLE
RevistaThe Cambridge Journal of Postcolonial Literary Inquiry (JOURNAL)
Identificadores de la revistaISSN: 2052-2614 • E-ISSN: 2052-2622
EditorialCambridge University Press (CUP) (PUBLISHER)
DOI10.1017/pli.2022.18
OpenAlexW4312764603
IdiomaEN
Citas recibidas1

In 1914, an epidemic of bubonic plague ravaged colonial Dakar. The panicked French colonial administration blamed the native population and evicted indigenous Africans from the city center before burning their homes. The Dakarois fought back through a general strike, political maneuvering, and, finally, by taking to the streets. Out of this year of disease, politics, racism, and resistance came the new, segregated neighborhood of Médina, which was created to house the displaced African population of Dakar. Over the twentieth century, as Dakar swelled into a metropolis around it, Médina was a unique space in the Senegalese capital—a hotbed of cultural creativity, a crossroads for waves of migrants, and a potent and enduring contrast with the nearby downtown, known as the Plateau. This article explores the ways in which the plague of 1914 reshaped Dakar and left a lasting impression on a century of Senegalese cultural production

Ancient history · Archaeology · Colonialism · Ethnology · Geography · Indigenous · Plague (disease · Political science · Politics · Population · Sociology · African history and culture studies · Caribbean and African Literature and Culture · Demography · Gender Studies · Historical Studies and Socio-cultural Analysis · History · Law

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Obras citantes distintas1
Citas por año0,5
Intervalo de citas2024 - 2024 (1)
Velocidad de citaciónrecent
Altamente citadoNo
Tipos de citaNeutras: 1
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