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Writing the therapeutic waterscape

Bodies, memories, and nature in post-socialist Chinese texts

Bibliographic Data

ID13019804
AuthorsWinnie L M Yee (0000-0003-0752-3210, University of Hong Kong, corresponding author)
Year2018
Volume3
Issue4
Pages322-334
Publication date2018-12-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueCommunication and the Public (JOURNAL)
Journal identifiersISSN: 2057-0473 • E-ISSN: 2057-0481
PublisherSAGE Publishing (PUBLISHER • US)
DOI10.1177/2057047318813205
OpenAlexW2902949839
LanguageEN
References cited14

This article takes an ecocritical approach that challenges the urban imaginary informing the notion of place and the identity of inhabitants in mainland China. It explores an alternative mode of imagination, symbolized by the flow and instability of water. The work of documentary filmmaker Dong Jun and renowned writer Su Tong can be seen as attempts to evaluate and revisit history and memories through a reconnection with water, whether it be the Yellow River in Dong Jun’s Flood or the river/water world in Su Tong’s The Boat to Redemption. Instead of commenting directly on the destruction of nature as a result of human development and cultural upheaval, both works use water as an indirect means to raise these issues

Aesthetics · Archaeology · Art · China · Film director · Flood myth · Literature · Mainland China · Movie theater · Psychoanalysis · Sociology · The Imaginary · Chinese history and philosophy · Ecocriticism and Environmental Literature · Geographies of human-animal interactions · History · Psychology

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Citation velocityhistorical
Highly citedNo

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