Working Stiff(s) on Reality Television during the Great Recession

Bibliographic Data

ID13023973
AuthorsSean Brayton (0000-0002-0932-3872, University of Lethbridge, corresponding author)
Year2012
Volume2
Issue4
Pages235-251
Publication date2012-10-29
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueSocieties (JOURNAL)
Journal identifiersISSN: 2075-4698 • E-ISSN: 2075-4698
PublisherMDPI AG (PUBLISHER • IT)
DOI10.3390/soc2040235
OpenAlexW2087474040
LanguageEN
Citations received4
References cited25

This essay traces some of the narratives and cultural politics of work on reality television after the economic crash of 2008. Specifically, it discusses the emergence of paid labor shows like Ax Men, Black Gold and Coal and a resurgent interest in working bodies at a time when the working class in the US seems all but consigned to the dustbin of history. As an implicit response to the crisis of masculinity during the Great Recession these programs present an imagined revival of manliness through the valorization of muscle work, which can be read in dialectical ways that pivot around the white male body in peril. In Ax Men, Black Gold and Coal, we find not only the return of labor but, moreover, the re-embodiment of value as loggers, roughnecks and miners risk both life and limb to reach company quotas. Paid labor shows, in other words, present a complicated popular pedagogy of late capitalism and the body, one that relies on anachronistic narratives of white masculinity in the workplace to provide an acute critique of expendability of the body and the hardships of physical labor

Aesthetics · Anachronism · Art · Capitalism · Dialectic · Economics · Emotional labor · Fantasy · Keynesian economics · Labor history · Labor relations · Literature · Masculinity · Narrative · Political science · Politics · Recession · Sociology · White (mutation · Working class · Gender Studies · Gender, Feminism, and Media · Law · Psychology · Social Psychology

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