Semiotics Turning Cross-Cultural
Bibliographic Data
| ID | 13032547 |
|---|---|
| Authors | Ersu Ding (0000-0001-9927-421X, corresponding author) |
| Year | 2015 |
| Volume | 1 |
| Issue | 3 |
| Pages | 1-12 |
| Publication date | 2015-09-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Language and Semiotic Studies (JOURNAL) |
| Journal identifiers | ISSN: 2096-031X • E-ISSN: 2751-7160 |
| Publisher | Walter de Gruyter GmbH (PUBLISHER • DE) |
| DOI | 10.1515/lass-2015-010301 |
| OpenAlex | W2784844366 |
| Language | EN |
| Citations received | 3 |
| References cited | 1 |
Since its beginning, semiotics as either "a general, quasi-formal theory" of representation (Innis, 1985, p. 1) or "a science which studies the role of signs as part of social life" (Saussure, 1989, p. 15) has always exhibited a tendency toward interdisciplinarity which is proudly claimed by semioticians as their intellectual trademark. Indeed, by asking such basic existential questions as "What does this mean?" "How?" and "Why?" and equipped with the discursive tradition initiated by Charles Sanders Peirce and Ferdinand
Aesthetics · Art · Linguistics · Semiotics · Sociology · Anthropology · Media, Communication, and Education · Philosophy
| Unique citing works | 3 |
|---|---|
| Citations per year | 0.3 |
| Citation span | 2016 - 2019 (4) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 3 |