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Witches and Cunning Folk in British Literature 1800–1940

Bibliographic Data

ID13044786
AuthorsRonald Hutton (corresponding author)
Year2018
Volume7
Issue1
Pages27-49
Publication date2018-03-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenuePreternature Critical and Historical Studies on the Preternatural (JOURNAL)
Journal identifiersISSN: 2161-2188 • E-ISSN: 2161-2196
PublisherThe Pennsylvania State University Press (PUBLISHER)
DOI10.5325/preternature.7.1.0027
OpenAlexW2770903575
LanguageEN
Citations received1
References cited2

Relatively little attention has been paid to representations of witches and cunning folk (popular magicians) in British literature of the nineteenth and early twentieth centuries. There have been a few pioneering works, but they have adopted different definitions of witches, concentrated on different spans of time, and reached different conclusions (and half of them are still contained in unpublished theses). This study covers the whole period between 1800 and 1940 and operates a consistent and rigorous set of definitions of the figures under consideration. It considers images of the witch as villain, victim, and heroine along with parallel images of cunning folk, and it demonstrates what remains constant in them and what changes over this long span of time. In doing so, it is intended to make a contribution to a better understanding of the place of witchcraft and magic in the modern British imagination

Aesthetics · Art · Art history · Literature · MAGIC (telescope · Period (music · Witch · Culinary Culture and Tourism · Folklore, Mythology, and Literature Studies · History · Religious Studies and Spiritual Practices

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  • Witches and Witchcraft

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Unique citing works1
Citations per year1
Citation span2025 - 2025 (1)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 1

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