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Haunts of the Wealthy

The House as Temple in Robert Marasco’s Burnt Offerings

Bibliographic Data

ID13044809
AuthorsCristiana Pugliese (0000-0002-3194-0244, corresponding author)
Year2024
Volume13
Issue2
Pages237-257
Publication date2024-07-12
Open AccessNo
TypeARTICLE
VenuePreternature Critical and Historical Studies on the Preternatural (JOURNAL)
Journal identifiersISSN: 2161-2188 • E-ISSN: 2161-2196
PublisherThe Pennsylvania State University Press (PUBLISHER)
DOI10.5325/preternature.13.2.0237
OpenAlexW4400579144
LanguageEN
References cited2

The Allardyce mansion in Burnt Offerings is arguably one of the most unusual homes in supernatural literature. The American novelist and playwright Robert Marasco (1936–1998) published his bestselling novel in 1973. The following year it was translated into Spanish and French and in 1976 was adapted into a successful Hollywood film of the same title (dir. Dan Curtis). The novel is regularly listed on websites and in books as among the best haunted house novels ever written, particularly thanks to Stephen King’s glowing 1988 review. But it has been largely ignored by critics, who see it mainly as portraying a typical haunted house. Instead, this article argues that critics, though noting the novel’s theme of materialism, have missed its religious underpinnings, which present the “Mother” figure as a supernatural force requiring human sacrifice—the titular burnt offerings—to maintain the estate

Ancient history · Art · Economics · Temple · Historical Economic and Social Studies · History · Scottish History and National Identity

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Highly citedNo

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