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Something Radical”

Problematizing the masculine state in Tendai Huchu's The Hairdresser of Harare

Bibliographic Data

ID13048356
AuthorsAsante Lucy Mtenje (0000-0001-8728-0735, Stellenbosch University, corresponding author)
Year2019
Volume13
Issue2
Pages172-187
Publication date2019-03-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueJournal of the African Literature Association (JOURNAL)
Journal identifiersISSN: 2167-4736 • E-ISSN: 2167-4744
PublisherTaylor & Francis (PUBLISHER • GB)
DOI10.1080/21674736.2019.1576307
OpenAlexW2920702149
LanguageEN
Citations received3
References cited19

This article examines how Tendai Huchu in The Hairdresser of Harare attempts to deconstruct national discourses of normativity from within. Focusing on the curious and powerful couple of Minister M_ and Mr. M_, I argue that the novel complicates narratives about nationalism and belonging by including narratives of gender and sexuality that have been excluded from the nationalist, heteronormative national script of Zimbabwean identity. Huchu uses an interesting authorial technique in his novelistic discourse to embody complexities that cut across political/ideological position. In my discussion of the novel, I show how Huchu makes it difficult for a reader to occupy a simple either/or position of approval or censure in relation to a range of issues related to gender, sexuality, power, and the nation

Aesthetics · Art · Human sexuality · Identity (music · Ideology · Literature · Narrative · National identity · Nationalism · Political science · Politics · Power (physics · Sociology · State (computer science · African Sexualities and LGBTQ+ Issues · African studies and sociopolitical issues · Gender Studies · Law · Postcolonial and Cultural Literary Studies

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  • Masculinity and nationalism

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Unique citing works3
Citations per year0.5
Citation span2020 - 2025 (6)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 3

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