Playing East
Arabs Perform in Nineteenth Century America
Bibliographic Data
| ID | 13049787 |
|---|---|
| Authors | Linda Jacobs (corresponding author) |
| Year | 2014 |
| Volume | 2 |
| Issue | 2 |
| Publication date | 2014-01-01 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Mashriq & Mahjar Journal of Middle East and North African Migration Studies (JOURNAL) |
| Journal identifiers | ISSN: 2169-4435 • E-ISSN: 2169-4435 |
| Publisher | Khayrallah Center for Lebanese Diaspora Studies (PUBLISHER) |
| DOI | 10.24847/22i2014.41 |
| OpenAlex | W1714742925 |
| Language | EN |
| Citations received | 2 |
This article explores the practice, widespread among the diasporic Syrians and North Africans of the nineteenth century, of pretending to be Arabs. “Arabs” were astute purveyors of Orientalism, both in entertainment and in trade. Syrian peddlers and merchants played the Orientalist card because they knew it would help sell their goods. In this paper, I concentrate on those Arabs who made a living entertaining Americans in the nineteenth century by dressing up. Entertainment ran the gamut from stage performance like vaudeville and circus acts to high-toned lectures, with the former being dominated by North Africans and the latter by Syrian Christians. Orientalism sold, and every Arab knew it and exploited it
Ancient history · Archaeology · Art · Entertainment · Literature · Middle East · Orientalism · Visual arts · Global Maritime and Colonial Histories · Hispanic-African Historical Relations · History · Jewish and Middle Eastern Studies
| Citations per year | 1 |
|---|---|
| Citation span | 2024 - 2025 (2) |
| Highly cited | No |