Still Drifting? Expanded Situationism and Filmic Dérive
Bibliographic Data
| ID | 13052869 |
|---|---|
| Authors | Laura Rascaroli (0000-0002-2165-8253, University College Cork, corresponding author) |
| Year | 2014 |
| Volume | 2 |
| Issue | 1 |
| Pages | 21-34 |
| Publication date | 2014-12-10 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Aniki Revista Portuguesa da Imagem em Movimento (JOURNAL) |
| Journal identifiers | ISSN: 2183-1750 • E-ISSN: 2183-1750 |
| Publisher | Associacao de Investigadores da Imagem em Movimento (PUBLISHER • PT) |
| DOI | 10.14591/aniki.v2n1.139 |
| OpenAlex | W1604634389 |
| Language | EN |
| References cited | 4 |
Ideas connected to the sphere of expanded cinema are here mobilised to identify the aesthetics and ideology of the use of a technology that is no longer filmic, but that derives from it, while having never been a cinematic genre or form in itself. Expanded cinema’s emphasis on participation, on performance and on an adapted experience of space and time are equally useful to an understanding of the contemporary phenomenon of post-situationist dérive and of its revival as a critical artistic practice in the contemporary world. My point is that dérive can be seen, in some of its manifestations at least, as a filmic concept — but one that does not associate itself with the cinema as a historicised technology of projection and a place
Aesthetics · Art · Epistemology · Ideology · Linguistics · Literature · Movie theater · Phenomenon · Political science · Politics · Situationism · Cinema and Media Studies · Digital Games and Media · Philosophy · Photography and Visual Culture
| Highly cited | No |
|---|