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The Girl Who Was Chased by Fire’

Violence and Passion in Contemporary Swedish Fascist Fiction

Bibliographic Data

ID13060489
AuthorsMattias Gardell (Uppsala University, corresponding author)
Year2021
Volume10
Issue1
Pages166-185
Publication date2021-06-24
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueFascism (JOURNAL)
Journal identifiersISSN: 2211-6249 • E-ISSN: 2211-6257
PublisherBrill (PUBLISHER • NL)
DOI10.1163/22116257-10010004
OpenAlexW3179638568
LanguageEN
Citations received3
References cited2

Fascism invites its adherents to be part of something greater than themselves, invoking their longing for honor and glory, passion and heroism. An important avenue for articulating its affective dimension is cultural production. This article investigates the role of violence and passion in contemporary Swedish-language fascist fiction. The protagonist is typically a young white man or woman who wakes up to the realities of the ongoing white genocide through being exposed to violent crime committed by racialized aliens protected by the System. Seeking revenge, the protagonist learns how to be a man or meets her hero, and is introduced to fascist ideology and the art of killing. Fascist literature identifies aggression and ethnical cleansing as altruistic acts of love. With its passionate celebration of violence, fascism hails the productivity of destructivity, and the life-bequeathing aspects of death, which is at the core of fascism’s urge for national rebirth

Aesthetics · Art · Criminology · Dehumanization · Genocide · Girl · Glory · HERO · Honor · Ideology · Literature · Passion · Political science · Politics · Sociology · White (mutation · Anthropology · Gender Studies · Italian Fascism and Post-war Society · Law · Psychology · Social Psychology

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  • Urban Terror

    Open Access•Mattias Gardell•Terrorism and Political Violence•2018

Unique citing works3
Citations per year0,6
Citation span2021 - 2026 (6)
Citation velocitycurrent
Highly citedNo
Citation typesNeutral: 3

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