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Andrea Pozzo and the Jesuit “Theatres” of the Seventeenth Century

Bibliographic Data

ID13063200
AuthorsAndrew H Horn (University of Edinburgh, corresponding author)
Year2019
Volume6
Issue2
Pages213-248
Publication date2019-06-21
Open AccessYes
TypeARTICLE
VenueJournal of Jesuit Studies (JOURNAL)
Journal identifiersISSN: 2214-1324 • E-ISSN: 2214-1332
PublisherBrill (PUBLISHER • NL)
DOI10.1163/22141332-00602003
OpenAlexW2955667190
LanguageEN
Citations received4
References cited1

Considered within the context of Jesuit theatre and liturgy, and within the broader culture of spectacle and ritual in the era of Counter-Reform, the works of art and architecture commissioned by the Jesuits in the seventeenth century can be read as “theatres” of religious performance. This concept is given an ideal case study in the work of Jesuit artist Andrea Pozzo (1642–1709). In this essay I present Pozzo’s work within the context of ritual and prayer for which it was produced, focusing on two of his religious scenographies and two of his lesser-known painting projects. As I consider their use of allegory, emblems and symbols, visual narratives, spatial illusions, and architecture, I argue that both the scenographies and the permanent church decorations achieve persuasion through the engagement of the observer as a performer in a ritual involving both internal and external performance

Allegory · Art · Art history · Context (archaeology · Emblem · Literature · Liturgy · Painting · Prayer · Spectacle · Theology · Visual arts · Early Modern Women Writers · Historical and Religious Studies of Rome · History · Law · Philosophy · Reformation and Early Modern Christianity · Architecture

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Citations per year0.8
Citation span2021 - 2026 (6)
Highly citedNo

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