Transmission of Han Pictorial Motifs into the Western Periphery
Fuxi and Nüwa in the Wei-Jin Mural Tombs in the Hexi Corridor
Bibliographic Data
| ID | 13070114 |
|---|---|
| Authors | Nataša Vampelj Suhadolnik (0000-0003-2807-4629, University of Ljubljana, corresponding author) |
| Year | 2019 |
| Volume | 7 |
| Issue | 2 |
| Pages | 47-86 |
| Publication date | 2019-06-28 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Asian Studies (JOURNAL) |
| Journal identifiers | ISSN: 2232-5131 • E-ISSN: 2350-4226 |
| Publisher | University of Ljubljana (PUBLISHER • SI) |
| DOI | 10.4312/as.2019.7.2.47-86 |
| OpenAlex | W2954974170 |
| Language | EN |
| Citations received | 2 |
| References cited | 3 |
This paper examines the ways in which Fuxi and Nüwa were depicted inside the mural tombs of the Wei-Jin dynasties along the Hexi Corridor as compared to their Han counterparts from the Central Plains. Pursuing typological, stylistic, and iconographic approaches, it investigates how the western periphery inherited the knowledge of the divine pair and further discusses the transition of the iconographic and stylistic design of both deities from the Han (206 BCE–220 CE) to the Wei and Western Jin dynasties (220–316). Furthermore, examining the origins of the migrants on the basis of historical records, it also attempts to discuss the possible regional connections and migration from different parts of the Chinese central territory to the western periphery. On the basis of these approaches, it reveals that the depiction of Fuxi and Nüwa in Gansu area was modelled on the Shandong regional pattern and further evolved into a unique pattern formed by an iconographic conglomeration of all attributes and other physical characteristics. Accordingly, the Shandong region style not only spread to surrounding areas in the central Chinese territory but even to the more remote border regions, where it became the model for funerary art motifs. Based on both approaches, it reveals that the depiction of Fuxi and Nüwa in Gansu area was modelled on the Shandong regional pattern and further evolved into a unique pattern of an iconographic conglomeration of all attributes and other physical characteristics. Accordingly, the Shandong region style not only spread to surrounding areas in the central Chinese territory but even to the more remote border regions, where it became the model for funerary art motifs
Ancient history · Archaeology · Art · Art history · Depiction · Geography · Literature · Mural · Painting · Style (visual arts · Anthropological Studies and Insights · Chinese history and philosophy · History · Primate Behavior and Ecology
| Unique citing works | 2 |
|---|---|
| Citations per year | 0.4 |
| Citation span | 2021 - 2021 (1) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 2 |