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Cut-pieces

Celluloid obscenity and popular cinema in Bangladesh

Bibliographic Data

ID13086397
AuthorsDarshana Sreedhar (Jawaharlal Nehru University, corresponding author)
Year2015
Volume2
Issue1
Pages112-114
Publication date2015-01-02
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenuePorn Studies (JOURNAL)
Journal identifiersISSN: 2326-8743 • E-ISSN: 2326-8751
PublisherTaylor & Francis (PUBLISHER • GB)
DOI10.1080/23268743.2014.993571
OpenAlexW2234709803
LanguageEN
Citations received7
References cited1

Click to increase image sizeClick to decrease image size Darshana SreedharJawaharlal Nehru University, New Delhi, IndiaEmail: [email protected]© 2015, Darshana Sreedhar

Archaeology · Art · Art history · Image (mathematics · Media studies · Movie theater · New delhi · Sociology · Visual arts · Computer Science · History · Shakespeare, Adaptation, and Literary Criticism · South Asian Cinema and Culture · South Asian Studies and Conflicts · Artificial Intelligence

  • Audience

    Open Access•Stephen Hughes, Stephen Putnam Hughes et al.•BioScope South Asian Screen Studies•2021

  • Censorship

    Open Access•Monika Mehta•BioScope South Asian Screen Studies•2021

  • When celluloid pornography went digital

    Lotte Hoek•Porn Studies•2019

  • Public piety and Islamic preaching in Bangladesh

    Max Stille•South Asian History and Culture•2021

  • Sincere critique in Israeli filmmaking

    Open Access•Maayan Cohen•Journal of the Royal Anthropologica…•2025

  • The reification of concrete work in Egyptian film production

    Open Access•Chihab El Khachab•Journal of the Royal Anthropologica…•2021

  • What Does It Look Like

    Open Access•Chihab El Khachab•Visual Anthropology Review•2016

  • “Bold! Daring! Shocking! True!”

    Open Access•Earl Schaefer, Eric Schaefer•Bold! Daring! Shocking! True!•1999

Unique citing works7
Citations per year0,7
Citation span2016 - 2025 (10)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 7

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