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Squeezing a Juicy Archive of Sticky Objects with Hélène Cixous's Écriture Matérialiste

Bibliographic Data

ID13086682
AuthorsJ C Nautiyal (corresponding author)
Year2024
Volume11
Issue1
Pages1-27
Publication date2024-01-01
Open AccessNo
TypeARTICLE
VenueQED A Journal in GLBTQ Worldmaking (JOURNAL)
Journal identifiersISSN: 2327-1574 • E-ISSN: 2327-1590
PublisherMichigan State University Press (PUBLISHER • US)
DOI10.14321/qed.11.1.0001
OpenAlexW4409477034
LanguageEN

Hélène Cixous's ethicopoetic inflections of writing with the body (écriture féminine or women's writing) have received disciplinary attention in rhetorical studies as political disruptors of androcentric canons. However, her powerful writings remain underexplored as a queer word/worldmaking praxis of her posthumanist rhetoric that challenges anthropocentric and representational accounts of rhetorical agency and distributes rhetorical action across transversal sites of subjectivation in entanglement with a more-than-human materiality. In this work, I draw on Cixous's article “Vivre l'orange/To Live the Orange” to retrace her era-defining feminist rhetoric of writing with the body as a queer, juicy, deessentialized archive of sticky objects and more-than-human subjects interweaving a posthumanist rhetoric of writing with matter (materialist writing or écriture matérialiste). I emphasize that Cixous's envelopment with the vibrant call of quotidian objects is her sensing, her witnessing of matter as her critical-creative-vibrant peer, her more-than-human, sticky kin. In the end, without an amplified rhetorical sensing of object histories, which I consider Cixous's gesture of queer responsiveness to the social stratifications of matter, intensified intervention in the ongoing injustices of the world is not ethically possible in Cixousian praxis

Art · Art history · Humanities · Visual arts · Cultural Insights and Digital Impacts

Highly citedNo

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