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Racial Plagiarism and Fashion

Bibliographic Data

ID13086830
AuthorsMinh-Ha T Pham (Pratt Institute, corresponding author)
Year2017
Volume4
Issue3
Pages67-80
Publication date2017-10-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueQED A Journal in GLBTQ Worldmaking (JOURNAL)
Journal identifiersISSN: 2327-1574 • E-ISSN: 2327-1590
PublisherMichigan State University Press (PUBLISHER • US)
DOI10.14321/qed.4.3.0067
OpenAlexW2786345071
LanguageEN
Citations received9
References cited1

This article attempts to chart a path out of the stultifying binary oppositions of “cultural appropriation” and “cultural appreciation” with regard to fashion and beauty forms and practices. “Racial plagiarism,” this essay argues, is a more precise analytic framework for understanding and critiquing the kinds of copying that happen in fashion and beauty contexts than either of the previous terms because it achieves a number of things: (1) it attends to the non-illegal but not unproblematic status of this kind of unauthorized copying; (2) it explicitly connects “racial plagiarism” with other forms of racial and economic exclusions that are also not illegal but not unproblematic; and (3) it demonstrates how non-legal constructions of authorship and copying produce racialized understandings of creativity and criminality

Aesthetics · Appropriation · Art · Beauty · Copying · Creativity · Epistemology · Political science · Sociology · Crafts, Textile, and Design · Fashion and Cultural Textiles · Law · Philosophy

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Unique citing works9
Citations per year1,8
Citation span2021 - 2026 (6)
Citation velocitycurrent
Highly citedNo
Citation typesNeutral: 9

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