The Rhyme Book Culture of Pre-Tang China
Bibliographic Data
| ID | 13087850 |
|---|---|
| Authors | Meow Hui Goh (The Ohio State University, corresponding author) |
| Year | 2015 |
| Volume | 2 |
| Issue | 2 |
| Pages | 419-443 |
| Publication date | 2015-11-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Journal of Chinese Literature and Culture (JOURNAL) |
| Journal identifiers | ISSN: 2329-0056 • E-ISSN: 2329-0048 |
| Publisher | Duke University Press (PUBLISHER • US) |
| DOI | 10.1215/23290048-3324164 |
| OpenAlex | W2292374416 |
| Language | EN |
| Citations received | 3 |
| References cited | 7 |
Due to the Tang's and later imperial courts' enforcement, yunshu 韻書 (rhyme books) such as Qieyun 切韻 (Spelling Rhymes), Yunlue 韻略 (Concise Rhymes), and Hongwu zhengyun 洪武正韻 (Standard Rhymes of the Hongwu Reign Period) came to exert extensive linguistic and cultural influence. However, during their inception before the Tang, rhyme books did not enjoy broad recognition, belonging more or less within circles of experts. In examining the case of Lu Fayan's 陸法言 (fl. 581–601) Qieyun (Spelling Rhymes; compiled ca. 601), which is often characterized as the incipient guan yun 官韻 (official rhyme book) in Chinese history, the author argues for its more private and personal nature and brings to light a different picture of pre-Tang “tonal and rhyming” culture
Aesthetics · Art · China · Guan · Humanities · Linguistics · Literature · Period (music · Poetry · Political science · Politics · Reign · Rhyme · Spelling · Tone (literature · Chinese history and philosophy · History · Hong Kong and Taiwan Politics · Law · Philippine History and Culture · Philosophy
| Unique citing works | 3 |
|---|---|
| Citations per year | 0,6 |
| Citation span | 2021 - 2025 (5) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 3 |