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Flying above Bloodshed

Performative Protest in the Scared City of Damascus

Bibliographic Data

ID13089433
AuthorsZiad Adwan (corresponding author)
Year2017
Volume5
Issue1
Publication date2017-01-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueContention (JOURNAL)
Journal identifiersISSN: 2330-1392 • E-ISSN: 2572-7184
PublisherBerghahn Books (PUBLISHER • GB)
DOI10.3167/cont.2017.050103
OpenAlexW2624746444
LanguageEN
Citations received1
References cited4

Syrian activists adopted the flying demonstration protest form in 2011 during the Arab Spring. A flying demonstration occurs for a few minutes, and then the demonstrators run away. Protestors mainly chose this form to avoid deadly confrontations with the regime’s secret police. This article examines how flying demonstrations challenged the Syrian state’s media allegations that no demonstrations were taking place. Action, spectatorship, aftermath, and catharsis were key concepts from the theater and performance fields that allowed Syrian activists to intensify the demonstrations and achieve certainty, making flying demonstrations a consistent phenomenon in the capital, Damascus. I analyze the flying demonstrations theories brought from Richard Schechner’s performance theory and Augusto Boal’s invisible theater. Although demonstrators were not considering theater during their protests, I conclude that flying demonstrations’ theatrical characteristics were essential to making this phenomenon visually compelling, encouraging more participation, and, to some extent, guaranteeing safety during deadly Syrian events

Action (physics · Aesthetics · Art · Catharsis · Certainty · Epistemology · Literature · Media studies · Performative utterance · Phenomenon · Political science · Sociology · Spectacle · State (computer science · Visual arts · Computer Science · Law · Middle East Politics and Society · Philosophy · Public Spaces through Art · Theatre and Performance Studies

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  • Games for Actors and Non-Actors

    Augusto Boal•Games for Actors and Non-Actors•2005

  • Anger, Irony, and Protest

    Marcyrose Chvasta•Text and Performance Quarterly•2005

  • Six Memos for the Next Millennium

    Craig R Frisch, Italo Calvino•Modern Language Notes•1989

Unique citing works1
Citations per year0.2
Citation span2021 - 2021 (1)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 1

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