Composing Conventions
The First Universal Aspect of Moda-De-Viola
Bibliographic Data
| ID | 13091052 |
|---|---|
| Authors | Jean Carlo Faustino (0000-0002-4076-4211, Universidade Federal de São Carlos, corresponding author) |
| Year | 2017 |
| Volume | 5 |
| Issue | 1 |
| Pages | 63-71 |
| Publication date | 2017-01-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Sociology and Anthropology (JOURNAL) |
| Journal identifiers | ISSN: 2331-6187 • E-ISSN: 2331-6179 |
| Publisher | Horizon Research Publishing Co., Ltd. (PUBLISHER) |
| DOI | 10.13189/sa.2017.050107 |
| OpenAlex | W2572419850 |
| Language | EN |
| References cited | 2 |
This article aims to address the song-form of moda-de-viola: a music genre considered genuinely Brazilian and of rural origin; however, it was disseminated by the record industry throughout the twentieth century. The issue will be addressed by analyzing the constituent elements of this musical genre, which was based on a bibliographical review of authors who have systematically studied the topic, which was in contrast to studies conducted by the author of this article. So, the exposition of this analysis will be accomplished by revealing the elements that are necessarily present in every moda-de-viola, followed by those elements which eventually appear on compositions. This exposition will, however, be preceded by an introduction that seeks to contextualize the relevance of this reflection for the study of moda-de-viola itself. This argument is readdressed in the final considerations of the article, which looks forward to presenting new research possibilities suggested (or reopened) by this reflection, followed by a brief overview of what was previously present
Advertising · Art · Art history · Business · Viola · Brazilian cultural history and politics · Literature, Culture, and Criticism · Music History and Culture
| Citation velocity | historical |
|---|---|
| Highly cited | No |