Critiquing Israeli Society Through Mirroring in Asaf Hanuka’s “The Realist”

Bibliographic Data

ID13093506
AuthorsMatt Reingold (0000-0003-1723-9969, Jewish Community Centre Association of North America, corresponding author)
Year2020
Volume7
Issue2
Pages165-180
Publication date2020-02-12
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueContemporary Review of the Middle East (JOURNAL)
Journal identifiersISSN: 2349-0055 • E-ISSN: 2347-7989
PublisherSAGE Publishing (PUBLISHER • US)
DOI10.1177/2347798920901871
OpenAlexW3006294420
LanguageEN
References cited16

Seven of Israeli cartoonist Asaf Hanuka’s comic strips from his weekly series The Realist make use montage-like elements by juxtaposing distorted mirror images of scenes. While published over the course of Hanuka’s almost 10-year run and addressing radically different topics, the structure and nature of the seven strips is remarkably similar. Each includes the juxtaposition of contrasting ideas to offer a commentary on a different aspect of the Israeli society. These topics include the historical mistreatment of Jewish immigrants to the country, the country’s policies toward foreign workers, and the economic challenges faced by the middle-class Israelis. While Hanuka’s technique provides an opportunity for considering different attitudes toward the topic, these strips consistently take a stance that places blame on Israelis themselves for either their attitudes or their electoral decisions. The comics serve, therefore, as political commentary which through the juxtaposition of images, encourages societal change

Blame · Cartoonist · Comic strip · Comics · Immigration · Media studies · Mirroring · Political science · Politics · Sociology · Comics and Graphic Narratives · History · Jewish and Middle Eastern Studies · Jewish Identity and Society · Law · Psychology · Social Psychology

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