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Women and Water

Icelandic Tales and Anglo-Saxon Moorings

Bibliographic Data

ID13100724
AuthorsClare A Lees (0000-0002-1168-9507, King's College London, corresponding author), Gillian R Overing (Wake Forest University)
Year2017
Volume4
Issue1
Pages97-111
Publication date2017-12-20
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueGeoHumanities (JOURNAL)
Journal identifiersISSN: 2373-5678 • E-ISSN: 2373-566X
PublisherTaylor & Francis (PUBLISHER • GB)
DOI10.1080/2373566x.2017.1403859
OpenAlexW2779331792
LanguageEN
Citations received3
References cited21

This collaborative article offers a multidisciplinary dialogue about modern and medieval ways of knowing and understanding water as place and process—as source and resource—and in so doing, explores and unsettles habitual disciplinary associations of place with specific times, identities, and genders. It brings together medieval and modern ideas about water, women, and the monstrous in art, popular culture, poetry, and learned texts to demonstrate how the subject of water connects different times, places, and media. Beginning in modern Iceland, the essay moves through Icelandic and early medieval British tales of the watery, the fishy, and the female, using the work of contemporary American artist Roni Horn, known for her work on place, identity, and Iceland, to focus this criss-crossing of temporalities, cultures, and places

Aesthetics · Art · Discipline · Icelandic · Identity (music · Literature · Poetry · Social science · Sociology · Subject (documents · Temporalities · Visual arts · Ecocriticism and Environmental Literature · Geographies of human-animal interactions · History · Philippine History and Culture · Philosophy

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Unique citing works3
Citations per year0,6
Citation span2021 - 2024 (4)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 3

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