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Can You Get Anyone to Care?” Curating an Exhibition on the Great East Japan Earthquake, Tsunami, and Nuclear Disaster during the Covid-19 Pandemic

Bibliographic Data

ID13100760
AuthorsMakoto Takahashi (0000-0001-7724-5135, Vrije Universiteit Amsterdam, corresponding author)
Year2024
Volume10
Issue1
Pages206-226
Publication date2024-01-02
Open AccessYes
TypeARTICLE
VenueGeoHumanities (JOURNAL)
Journal identifiersISSN: 2373-5678 • E-ISSN: 2373-566X
PublisherTaylor & Francis (PUBLISHER • GB)
DOI10.1080/2373566x.2024.2307870
OpenAlexW4396720395
LanguageEN
References cited11

COVID-19 has proven as able to colonize our mental real estate as it is able to invade our bodies. For two years, the pandemic loomed large in our politics and culture, discussed with a well-deserved constancy, and framing even those discussions in which the "C-word" went unuttered. COVID's touch was especially keenly felt in the world of art, not only because it periodically shuttered beloved museums, but because it transformed the imagined disposition of our audiences. Visitors were increasingly spoken of as beleaguered, tired, and depressed-craving distraction and consolation. Exhibitions bore titles like "art in a dark time" and normally irascible critics seemed suddenly sentimental. 1 In this context, the imagined role of art was not to kill sacred cows, as it was for the avant-garde movements of the 20th century The dominant assumption has been that few people want to see challenging or upsetting work in the middle of a pandemic. Instead, critics extolled the "reparative" virtues of art (Sedgewick 2003)-suggesting that we turn to it for comfort and respite (Fox 2020). Art was at hand to lionize our front-line heroes, 2 sooth us with visions of the world outside the home-office, and even inspire hope

Art · Art history · Coronavirus disease 2019 (COVID-19 · Exhibition · Media studies · Pandemic · Political science · Severe acute respiratory syndrome coronavirus 2 (SARS-CoV-2 · Sociology · The arts · Visual arts · Dental Research and COVID-19 · Empathy and Medical Education · History · Medicine

  • Art for public engagement on emerging and controversial technologies

    Open Access•Aafke Fraaije, Marjoleine G van der Meij et al.•Public Understanding of Science•2022

  • The Originality of the Avant-garde and other Modernist Myths

    Alan Partington•Oxford Art Journal•1986

  • Nuclear Janitors

    Open Access•G Hecht•Japan focus•2013

Highly citedNo

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