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Introduction

Silhouettes and Submersions: Istanbul’s Past from Above and Below

Bibliographic Data

ID13101160
AuthorsJ F Walton (0000-0002-3378-7095, corresponding author)
Year2021
Volume8
Issue1
Publication date2021-11-01
Open AccessNo
TypeARTICLE
VenueJournal of the Ottoman and Turkish Studies Association (JOURNAL)
Journal identifiersISSN: 2376-0702 • E-ISSN: 2376-0699
PublisherIndiana University Press (PUBLISHER • US)
DOI10.2979/jottturstuass.8.1.03
OpenAlexW4414115934
LanguageEN

In this introduction to our edited section, "Istanbul through the Looking Glass," I draw on Orhan Pamuk's works—in particular The Black Book —to develop a multi-perspectival approach to Istanbul's heterogeneous past and the contemporary collective memories that frame this past. First, I forward a critique of homogenizing narratives of Istanbul, in particular neo-Ottoman images of the city. For shorthand, I call these images "silhouettes." Next, by invoking The Black Book's extended metaphor of the city's sunken past in the Bosphorus, I draw attention to the "submersions" of Istanbul's history that our collection explores. Finally, I summarize the contents of the volume, which are divided across three sections: "Sites," "Districts," and "Discourses

Frame (networking · Identity (music · Interpretation (philosophy · Metaphor · Narrative · Archaeological Research and Protection

Highly citedNo

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