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Creative cognition, conceptual combination, and the creative writing of Stephen R. Donaldson

Bibliographic Data

ID13353064
AuthorsThomas B Ward (Texas A&M University, corresponding author)
Year2001
Volume56
Issue4
Pages350-354
Publication date2001-01-01
Open AccessNo
TypeARTICLE
VenueAmerican Psychologist (JOURNAL)
Journal identifiersISSN: 0003-066X • E-ISSN: 1935-990X
PublisherAmerican Psychological Association (PUBLISHER • US)
DOI10.1037/0003-066x.56.4.350
PMID11330235
OpenAlexW1986561845
LanguageEN
Citations received11
References cited18

This article explores the reported use of conceptual combination in Stephen R. Donaldson's development of the idea for his award-winning fantasy series. The Chronicles of Thomas Covenant the Unbeliever. Donaldson's (1991) own account is used to illustrate the general principles of a creative cognition approach to understanding creativity as well as the more specific role of the basic process of conceptual combination. The links between Donaldson's and others' anecdotal accounts of creativity and laboratory investigations are assessed. The article concludes with an argument for a "convergence" approach in which information from anecdotal accounts and laboratory studies is combined to provide a more complete picture of creative functioning than either approach alone can offer

Argument (complex analysis · Cognition · Cognitive psychology · Cognitive science · Creativity · Epistemology · Fantasy · Sociology · Computer Science · Creativity in Education and Neuroscience · Language, Metaphor, and Cognition · Philosophy · Psychology · Social Psychology

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    Open Access•Timothy N Atkinson•Journal of Academic Ethics•2008

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    Open Access•Angela K-Y Leung, Chi-Yue Chiu et al.•Journal of Cross-Cultural…•2010

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    Open Access•Teresa M Amabile•Social Psychology of Creativity•1983

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Citations per year0.44
Citation span2001 - 2026 (26)
Highly citedNo

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