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The Musical Eulogy and Other Functions of Funeral Music

Bibliographic Data

ID13628497
AuthorsJanieke Bruin-Mollenhorst (0000-0002-8392-2910, Tilburg University, corresponding author)
Year2018
Volume82
Issue1
Pages25-41
Publication date2018-09-13
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueOMEGA - Journal of Death and Dying (JOURNAL)
Journal identifiersISSN: 0030-2228 • E-ISSN: 1541-3764
PublisherSAGE Publishing (PUBLISHER • US)
DOI10.1177/0030222818799939
PMID30211631
OpenAlexW2890770030
LanguageEN
Citations received9
References cited13

This article examines the function of music during contemporary funerals in the Netherlands. Using a performance-based approach, this article shows that music adds to the ritual dimension of contemporary funerals, by relating the music to the funeral itself, the deceased person's identity, and to emotions. Zooming in on the music that in contemporary personalized funerals is selected because it is-one way or another-related to the deceased, it will be shown that the lyrical content of this music is less important than social and emotional aspects. Theoretically, the concept of the musical eulogy is introduced as a hermeneutic tool to examine music in ritualized contexts

Aesthetics · Art · Contemporary classical music · Content (measure theory · Eulogy · Identity (music · Literature · Musical · Popular music · Sociology · Visual arts · Diverse Musicological Studies · Music History and Culture · Musicology and Musical Analysis · Psychology

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Unique citing works9
Citations per year1,5
Citation span2020 - 2025 (6)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 7

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