Sensational! Violent! Popular! Death in American Movies

Bibliographic Data

ID13628614
AuthorsNed W Schultz (Cal Poly State University, San Luis Obispo, corresponding author), Lisa M Huet (Cal Poly State University, San Luis Obispo)
Year2001
Volume42
Issue2
Pages137-149
Publication date2001-03-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueOMEGA - Journal of Death and Dying (JOURNAL)
Journal identifiersISSN: 0030-2228 • E-ISSN: 1541-3764
PublisherSAGE Publishing (PUBLISHER • US)
DOI10.2190/6gdx-4w40-5b94-mx0g
OpenAlexW2110274732
LanguageEN
Citations received30
References cited5

This study examined death as portrayed in different types of American film. Death events were scored for number and type, use of death words, demographic characteristics, 23 different actions of instigators, and 24 reactions of recipients. Trained observers scored 25 popular films, 16 popular/award films, and 24 award films. The predominant depictions of death were attacks by weapon, threats, risks and conversations. Most common reactions in death scenes were fear, shock, protest and aggression. ANOVA comparisons across the three types of films showed that popular and popular/award films contained significantly more sensational death actions, such as non-weapon attacks, threats of death, close calls, risks taken, and accidents. Award films were significantly more likely to include scenes of routine, medical death events. No significant differences in use of language were found. Instigators in death scenes were six times more likely to be males. Female characters were nearly twice as likely to be recipients as instigators. ANOVA comparisons indicated that reactions involving escape, fear, no harm, relief, and ambiguity were significantly more common in popular and popular/award films. Award films, on the other hand, included significantly more expressions of sorrow and sadness. Comparisons based on audience rating (G, PG, PG-13, and R) showed no significant differences in the number of death scenes and virtually no significant differences in specific death actions or reactions. The results present a disturbing picture of death in movies, one described as psychologically obscene. In American film, death is distorted into a sensational stream of violent attacks by males, with fear, injury, further aggression, and the absence of normal grief reactions as the most common responses

Aggression · Harm · Sorrow · Death Anxiety and Social Exclusion · Grief, Bereavement, and Mental Health · Media Influence and Health · Medicine · Psychology · Social Psychology

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