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The "I" in Chinese Lyric Poetry

Bibliographic Data

ID13819494
AuthorsHans H Frankel (corresponding author)
Year1957
Volume10
Issue1
Pages128-128
Publication date1957-07-31
Open AccessNo
TypeARTICLE
VenueOriens (JOURNAL)
Journal identifiersISSN: 0078-6527 • E-ISSN: 1877-8372
PublisherBrill (PUBLISHER • NL)
DOI10.2307/1578762
OpenAlexW2333408661
LanguageEN

One of the perennial problems facing the lyric poet is to find the proper balance between individuality and universality. He is expected to reveal some of his most intimate experiences and emotions, and yet he must never obtrude his own self. The great Chinese poets, it seems to me, have solved this problem with astounding mastery. The reasons for their success are manifold and complex. Only one of them will be briefly examined here. It concerns the way in which the poet speaks of himself. A typical lyric opening is the following, by Meng Hao-jan

Art · Literature · Poetry · Chinese history and philosophy · French Literature and Poetry · Poetry Analysis and Criticism

Highly citedNo

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