Sonic Art, Brain Injury, and Intimate Ethnography
A Review of Reassembled, Slightly Askew
Bibliographic Data
| ID | 14039243 |
|---|---|
| Authors | Denielle Elliott (0000-0003-1553-9714, York University, corresponding author) |
| Year | 2021 |
| Volume | 63 |
| Issue | 1 |
| Publication date | 2021-05-01 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Anthropologica (JOURNAL) |
| Journal identifiers | ISSN: 0254-9212 • E-ISSN: 2224-6428 |
| Publisher | University of Toronto Press (PUBLISHER • CA) |
| DOI | 10.18357/anthropologica6312021347 |
| OpenAlex | W3162442901 |
| Language | EN |
| References cited | 2 |
It is hard to describe what Reassembled, Slightly Askew actually is. As an art form, it defies categories and definition. Since first viewing/hearing/ participating in it, I have recommended it to dozens of people and each time I do so, I refer to it as something else. A sonic installation, an experiential sonic performance, sort of a play, an autobiographical art installation, or maybe a multimodal art production? I was invited to see it in 2018 with some colleagues while on sabbatical in Vancouver, where it was part of the PuSh Festival, showing at The Cultch, an annual international performing arts festival. I did not know what to expect and, so was really excited to participate in the experimental installation
Art · Ethnography · Sociology · Anthropology · Diverse Musicological Studies · Empathy and Medical Education · Music Therapy and Health
| Highly cited | No |
|---|