"I Sing the Body Electric"
Music and Technology in the Twentieth Century (review)
Bibliographic Data
| ID | 14527448 |
|---|---|
| Authors | Emily Thompson (0009-0009-6178-1393, corresponding author), Emily Ann Thompson |
| Year | 2001 |
| Volume | 42 |
| Issue | 4 |
| Pages | 800-801 |
| Publication date | 2001-10-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Technology and Culture (JOURNAL) |
| Journal identifiers | ISSN: 0040-165X • E-ISSN: 1097-3729 |
| Publisher | Project MUSE (PUBLISHER • US) |
| DOI | 10.1353/tech.2001.0192 |
| OpenAlex | W2050662777 |
| Language | EN |
Historians of technology have become increasingly interested in the realm of sound, in music and audio technology. Hans-Joachim Braun's volume offers a rich collection of essays by an international roster of historians and musicologists who explore manifold relationships between technology and music in the twentieth century. Originating in presentations at the 1996 conference of the International Committee for the History of Technology in Budapest, the essays focus on two primary themes: musical depictions of technology and the relationship of technological change to the production and aesthetics of music
Aesthetics · Archaeology · Art · Art history · History of technology · Literature · Music education · Music history · Music technology · Musical · Musicology · Realm · Visual arts · Diverse Musicological Studies · History
| Citation velocity | historical |
|---|---|
| Highly cited | No |