A Short History of the Gannin
Popular Religious Performers in Tokugawa Japan
Bibliographic Data
| ID | 14680682 |
|---|---|
| Authors | Gerald Groemer (corresponding author) |
| Year | 2000 |
| Publication date | 2000-05-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Japanese Journal of Religious Studies (JOURNAL) |
| Journal identifiers | ISSN: 0304-1042 |
| Publisher | Nanzan University (PUBLISHER • JP) |
| DOI | 10.18874/jjrs.27.1-2.2000.41-72 |
| OpenAlex | W116123230 |
| Language | EN |
| Citations received | 2 |
This paper traces the emergence and development of the gannin or gannin bŌzu, a group of religious performer-practitioners. The gannin, who were active in Kyoto, Osaka, Edo, as well as many rural areas, had their headquarters at the Kurama temple. Throughout the Tokugawa period, gannin engaged in proxy pilgrimages and provided the public with rites, exorcisms, and entertaining performances. Although the gannin are often portrayed in contemporaneous documents as disorderly, the gannin maintained a nationwide administrative apparatus supported by the bakufu. To the rank-and-file gannin, this hierarchical organization, which at first may have served the interests of the gannin themselves, appears to have become something of a burden. As a result, gannin continued to seek independence in order to better their lot, thereby irritating their social superiors
Aesthetics · Art · Asian Culture and Media Studies · History · Hong Kong and Taiwan Politics · Japanese History and Culture
| Unique citing works | 2 |
|---|---|
| Citations per year | 0,1 |
| Citation span | 2006 - 2023 (18) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 2 |