From the studio to the snapshot
An immigrant photographer of the 1920s
Bibliographic Data
| ID | 14693188 |
|---|---|
| Authors | Estelle Jussim (corresponding author) |
| Year | 1977 |
| Volume | 1 |
| Issue | 3 |
| Pages | 183-199 |
| Publication date | 1977-07-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | History of Photography (JOURNAL) |
| Journal identifiers | ISSN: 0308-7298 • E-ISSN: 2150-7295 |
| Publisher | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/03087298.1977.10442910 |
| OpenAlex | W2330694331 |
| Language | EN |
| References cited | 1 |
In his justly famous work, Looking at Photographs, John Szarkowski remarked1 that ‘Photography has learned about its nature not only from the great masters, but also from the simple and radical works of photographers of modest aspiration and small renown ....’. It is thanks to critics like Szarkowski that we are encouraged to view photographs on their own terms, instead of always having to compare them to the rigid aesthetic hierarchies of Hochkunst
Archaeology · Art · Immigration · Photography · Studio · Visual arts · Computer Science · History · Photography and Visual Culture
| Highly cited | No |
|---|