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Missing Persons

Identity Photography and Workers at the 1893 Chicago World’s Columbian Exposition

Bibliographic Data

ID14694773
AuthorsJulie Brown (0000-0001-6358-8022, Russian State Agrarian Correspondence University, corresponding author), Julie K Brown
Year2020
Volume44
Issue1
Pages36-49
Publication date2020-01-02
Open AccessNo
TypeARTICLE
VenueHistory of Photography (JOURNAL)
Journal identifiersISSN: 0308-7298 • E-ISSN: 2150-7295
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/03087298.2020.1820693
OpenAlexW3094830334
LanguageEN

Identity photographs used for official employee passbooks at the 1893 World’s Columbian Exposition provide a way to restore visibility to some of the massive workforce of employees and officials who are otherwise missing in conventional representations of this event. As a tool for documentation, a method for the mass production of images and a vehicle for constructing individual identity, identity photography had multiple functions at the Exposition. The professional photographic studio of James and May Gibson, working on site, demonstrates the kind of business acumen that was a requirement for the successful mass production of identity photographs. Workers were the key to successful Exposition businesses, and the food workers and employees of the Wellington Catering Company, the leading food concession, were crucial to the company’s huge financial success. Removed from their original passbooks, 273 photographs of the company’s employees illustrate that for many workers this form of photography was more than just an image of identification, but also an opportunity for a statement of personal identity

Advertising · Aesthetics · Art · Business · Literature · Photography · Sociology · Studio · Visual arts · History · Photography and Visual Culture

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