Ottomans and the Kodak Galaxy
Archiving Everyday Life and Historical Space in Ottoman Illustrated Journals
Bibliographic Data
| ID | 14695281 |
|---|---|
| Authors | Ahmet Ersoy (0000-0002-3357-9659, Schlumberger (Ireland), corresponding author), Ahmet A Ersoy |
| Year | 2016 |
| Volume | 40 |
| Issue | 3 |
| Pages | 330-357 |
| Publication date | 2016-07-02 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | History of Photography (JOURNAL) |
| Journal identifiers | ISSN: 0308-7298 • E-ISSN: 2150-7295 |
| Publisher | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/03087298.2016.1215401 |
| OpenAlex | W2520745010 |
| Language | EN |
| Citations received | 15 |
This article investigates late nineteenth-century Ottoman illustrated journals as a key site for the articulation of new, popular, and visualised forms of historical knowledge and sensibility in the imperial domain. Focusing on the reign of Sultan Abdülhamid II, a period from 1876 to 1909 marked by the beginnings of print industry and rising levels of literacy in the Ottoman world, the article situates photography within a mixed, hybrid, and highly image-based media environment that radically transformed Ottoman modes of looking and remembering. Allowing new forms of reading, viewing, and popular participation, the journals helped refashion and pluralise collective images of the empire’s material past. The article argues that the new visions of history and antiquity that emerged in the Ottoman journals were not merely an ideological package imposed by the state and passively consumed by the readers. The journals played an essential role in creating a highly visualised interface where popular and official forms of historical imagination mingled and interpenetrated
Aesthetics · Art · Everyday life · Ideology · Literature · Ottoman empire · Political science · Politics · Reign · Sensibility · Sociology · Vision · Visual arts · Anthropology · History · Islamic Studies and History · Law · Philosophy, History, and Historiography · Turkey's Politics and Society
Touring Europe, Envisioning Homeland
A Collection of Late Ottoman Imaginations, Constructions and Experiences
Between the Real and the Imaginary
The 'Pedantic Amateur' Karlo Dieneš and the Social Role of Photography in the 1920s
Beneath the Mustache
Le monde matériel de la photographie
The pioneers of print in the Ottoman Province of Mosul
« Nos contemporains (ottomans) chez eux »
Toward Understanding the Photogenic New Citizen
Fotoğraf Albümleri Nelere Kādir Olabilir? Dedeağaç Mutasarrıfı Hâzım Efendi’nin Taşradan Saraya Uzanan Görüntü Siyaseti
Inventing a Selfie Studio
Parallelotopia
The making of the ‘new woman’
From the ambivalent to the material
Islamic art and visualities of war from the Ottoman Empire to the Turkish Republic
| Unique citing works | 15 |
|---|---|
| Citations per year | 1.67 |
| Citation span | 2017 - 2026 (10) |
| Citation velocity | current |
| Highly cited | No |
| Citation types | Neutral: 10 |