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Literatur im Ministerium des Innern

Die Villa Massimo in den Debatten der bundesrepublikanischen Kulturpolitik (1957–1974)

Bibliographic Data

ID14711149
AuthorsPawel Zajas (0000-0001-6041-297X, Adam-Mickiewicz-Universität Posen , Faculty of English, ul. Grunwaldzka 6 , Poznań, Polen & University of Pretoria Poland, corresponding author)
Year2023
Volume48
Issue1
Pages128-162
Publication date2023-06-05
Open AccessNo
TypeARTICLE
VenueInternationales Archiv für Sozialgeschichte der deutschen Literatur (JOURNAL)
Journal identifiersISSN: 0340-4528 • E-ISSN: 1865-9128
PublisherWalter de Gruyter GmbH (PUBLISHER • DE)
DOI10.1515/iasl-2023-0006
OpenAlexW4380489419
LanguageDE

The Rome Prize of the German Academy Villa Massimo is by far the most important award for German artists. It is awarded to renowned artists from the fields of fine arts, composition, literature, and architecture. Despite the award’s significant status, its position in the German literary and cultural-political system and the selection policy on which it is based remains largely under-researched. This article examines institutional and personal networks of the Rome Prize, the objectives of the respective actors and the mechanisms of selection. The major aim of the study is to analyse archival material on writers who have received grants. The period of investigation begins in 1957 and ends in 1974 with the institutional reorganization of the Villa Massimo

Aesthetics · Archaeology · Art · Art history · Cultural institution · German · Media studies · Political science · Politics · Sociology · The arts · Visual arts · Computer Science · German History and Society · German Literature and Culture Studies · History · Law · Literature and Cultural Memory

Highly citedNo

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