Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

The musical identity of the Roma people on the streets of Belgrade

Bibliographic Data

ID14712935
AuthorsNina Aksić (0000-0003-1911-0907, Etnografski institut SANU, Beograd, corresponding author)
Year2023
Volume71
Issue2
Pages137-156
Publication date2023-01-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueGlasnik Etnografskog instituta (JOURNAL)
Journal identifiersISSN: 0350-0861 • E-ISSN: 2334-8259
PublisherNational Library of Serbia (PUBLISHER • RS)
DOI10.2298/gei2302137a
OpenAlexW4388566014
LanguageEN
Citations received1
References cited5

This paper deals with the musical street practice of the Roma people on the territory of Belgrade. An attempt shall be made to present this practice in its entirety, with all its particularities, based on data obtained in the field (through interviews with performers), Internet sources (YouTube videos, texts, etc.), and academic literature. The Romani practice is possibly the most common street musical practice on the territory of Belgrade, and while it is undoubtedly diverse, it still possesses numerous characteristics which shape its particular identity. Therefore, the elements of the aforementioned musical practice shall be presented and analyzed, including: 1. forms of musical performance, 2. types of performing ensembles, 3. choice and condition of the instruments used in performing, 4. choice of musical repertoire, 5. the language being sung in, 6. choice of public spaces at which it takes place, 7. events and special occasions during which this musical practice occurs, 8. career development and 9. child exploitation. The aim of the paper is to provide a relevant insight into the special musical identity of the Romani street musical practice in Belgrade by way of analyzing the segments of this street musical practice presented. Moreover, the goal of this research is to construct a model which may serve to conduct further research into the Romani street musical practice in other Serbian cities, as well as enable a comparative analysis and insight into the common, general features of this musical identity

Aesthetics · Art · Linguistics · Literature · Musical · Musical Development · Repertoire · Serbian · Sociology · Visual arts · Computer Science · Regional Development and Management Studies · Social and Cultural Studies · Sustainable Urban and Rural Development

  • A critical interpretation of ethnological and ethnomusicological narratives on Roma music in Serbia

    Open Access•Marija Dumnic-Vilotijevic•Muzikologija•2025

  • Roma Hip Hop as a Multiculturalist Soundtrack. R-Point

    Open Access•Ana Banić Grubišić•Etnoantropološki problemi /…•2010

  • The making of the Gypsies

    Open Access•Jelena Čvorović•Etnoantropološki problemi /…•2006

  • Urban space as a music scene

    Open Access•Gordana Blagojevic, Blagojević Gordana•Glasnik Etnografskog instituta•2020

  • Gypsy ethnic socialization in Serbia

    Open Access•Jelena Čvorović•Glasnik Etnografskog instituta•2005

Unique citing works1
Citations per year1
Citation span2025 - 2025 (1)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 1

Tools

Open DOIOpen Access
Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae