The anti-fashion transgenre - three examples of subversion from the Croatian scene
Ivana Popovic, Tajci Cekada, and Martina Krizanic
Bibliographic Data
| ID | 14713004 |
|---|---|
| Authors | Suzana Marjanić (0000-0002-6158-3006, Institute of Ethnology and Folklore Research, corresponding author) |
| Year | 2019 |
| Volume | 67 |
| Issue | 2 |
| Pages | 289-307 |
| Publication date | 2019-01-01 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Glasnik Etnografskog instituta (JOURNAL) |
| Journal identifiers | ISSN: 0350-0861 • E-ISSN: 2334-8259 |
| Publisher | National Library of Serbia (PUBLISHER • RS) |
| DOI | 10.2298/gei1902289m |
| OpenAlex | W2985666488 |
| Language | EN |
| References cited | 3 |
With the three aforementioned examples - of multimedia artists Ivana Popović (1968-2016), Tajči Čekada, and Martina Križanić - I seek to document the anthropology of gender by the aforementioned anti-fashion triad dedicated to the marginal, trans-genre art field. Briefly put, the three artists demonstrate a subversion of anti/fashion as an expression of autonomy in relation to fashion heteronomies and mental uniform of the mainstream, whereby the common link between the artists - elimination of sex/gender attributes - is also notable
Art · Croatian · Linguistics · Mainstream · Subversion · Theology · Visual arts · Art, Politics, and Modernism · Cultural Industries and Urban Development · Fashion and Cultural Textiles · Philosophy
| Highly cited | No |
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