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Yugoslav Black Wave and Critical Discourse

The Review of the Past, Criticism of Today and The Anticipation of Crisis

Bibliographic Data

ID14713928
AuthorsSanja Lazarevic-Radak, Sanja Lazarević Radak (0000-0001-9332-4343, corresponding author)
Year2016
Volume11
Issue2
Pages497-518
Publication date2016-06-20
Open AccessYes
TypeARTICLE
VenueEtnoantropološki problemi / Issues in Ethnology and Anthropology (JOURNAL)
Journal identifiersISSN: 0353-1589 • E-ISSN: 2334-8801
PublisherUniversity of Belgrade - Faculty of Philosophy - Department of Ethnology and Anthropology (PUBLISHER)
DOI10.21301/eap.v11i2.9
OpenAlexW2507629181
LanguageEN
Citations received3

Considering the so-called black wave as a group of original achievements of the Yugoslav cinema, I set aside its dominant themes. As most important I have marked: 1. The post-war chaos and the inversion of values; 2. The forms of alienation In socialist society; 3. The sexual revolution; 4. Assumptions about the possibility of the dissolution of the Socialist Federal Republic of Yugoslavia; 5. The representations of marginalized groups. These topics are mentioned as forms of critique of real socialism at the time that reveals dissatisfaction with inconsistent application of Marxist thought in social practice. Today, when one can notice exoticism of the past and as its consequence the so called yugonostalgia the post-Yugoslav societies, these films can serve as a basis for questioning the value system of the Yugoslav socialist society to reveal the cracks in its idealized picture. Although the film, as a cultural product remains on the border between fantasy and the document, it reflects social relations. Like other forms of art film can be read like a text, and its semantics reveal consistency of defects, latent and manifest social criticism

Aesthetics · Art · Criticism · Literature · Marxist philosophy · Movie theater · Political science · Politics · Proletariat · Psychoanalysis · Psychoanalytic theory · Sociology · Balkans: History, Politics, Society · Eastern European Communism and Reforms · Law · Philosophy · Psychology

  • Roma Filmic Representation as Postcolonial “Object”

    Sunnie Rucker-Chang•Interventions•2018

  • From alienation to irony

    Open Access•Milena Simić, Miloš Ničić•Glasnik Etnografskog instituta•2022

  • Romani tamburasi in Yugoslav black wave films

    Open Access•Јulijana Bastic, Mark Forry•Muzikologija•2025

Citations per year0.38
Citation span2018 - 2025 (8)
Highly citedNo

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