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A New Look for “The New Woman”

The Shaping of “Proletarian Taste” (1945-1951)

Bibliographic Data

ID14713949
AuthorsDanijela Velimirović (0000-0002-6665-2998, University of Belgrade, corresponding author)
Year2012
Volume7
Issue4
Pages935-955
Publication date2012-10-25
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueEtnoantropološki problemi / Issues in Ethnology and Anthropology (JOURNAL)
Journal identifiersISSN: 0353-1589 • E-ISSN: 2334-8801
PublisherUniversity of Belgrade - Faculty of Philosophy - Department of Ethnology and Anthropology (PUBLISHER)
DOI10.21301/eap.v7i4.3
OpenAlexW2605892056
LanguageEN
Citations received1

The post-war “new woman” was supposed to reject fashion as a cultural practice of the decadent bourgeois world. The paper analyzes the attempt made by the Yugoslav communist regime to establish original socialist clothing outside the influence of western systems of fashion. I will explore the characteristics of “utopian clothing” and the bases of a new aesthetic. Simple, practical, unobtrusive and appropriate clothing displayed the role of women in socialist society to the world at large, at the same time reminding women of the duties and limitations which came with the role. Even though gaudiness was declared backward, the public taste could be appeased through the use of ethno motives. Ornamentation based on the reinterpretation of traditional cultural heritage was interpreted as a defense against western influences as well as a visual display of national harmony. However, the attempt to establish a radically different course in fashion was deeply conflicting. The imposed oblivion towards old dress codes implied a look back: the production of exemplary styles mimicked not only traditional material heritage, but also western fashion of the early 1940’s

Aesthetics · Art · Art history · Literature · Political science · Proletariat · Taste · Art, Politics, and Modernism · Fashion and Cultural Textiles · Historical Gender and Feminism Studies · History · Law · Neuroscience · Psychology

  • Entrepreneurial production of clothing. On the impact of entrepreneurs on contemporary clothing culture

    Open Access•Milos Matic•Glasnik Etnografskog instituta•2026

Unique citing works1
Citations per year1
Citation span2026 - 2026 (1)
Citation velocitycurrent
Highly citedNo
Citation typesNeutral: 1

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