Ça va être un viol »
Formes et fonctions de l’obscénité langagière dans les joutes verbales de rap
Bibliographic Data
| ID | 14768949 |
|---|---|
| Authors | Cyril Vettorato (corresponding author) |
| Year | 2012 |
| Volume | 71 |
| Pages | 115-140 |
| Publication date | 2012-01-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Cahiers de littérature orale (JOURNAL) |
| Journal identifiers | ISSN: 0396-891X • E-ISSN: 2266-1816 |
| Publisher | OpenEdition (PUBLISHER) |
| DOI | 10.4000/clo.1492 |
| OpenAlex | W2081330447 |
| Language | CA |
| Citations received | 5 |
| References cited | 5 |
The form of verbal dueling practiced within the hip-hop cultural community, the freestyle battle, places face-to-face two contestants who are expected to destroy each other through words. Obscene language, and more particularly the very graphic representation of sexual scenes, is one of their most common resources. Beginning with the study of a tournament recorded in 2010 in Paris, we will try to grasp what is at stake in these verbal transgressions. We will examine more precisely their relationship to the organization of the poetic ritual, as well as with the value system it brings into play in a ludic way
Art · Battle · GRASP · Humanities · Linguistics · Poetry · Political science · Sociology · Computer Science · Education, sociology, and vocational training · History · Law · Linguistic and Sociocultural Studies · Linguistics and Discourse Analysis · Philosophy · Psychology · Social Psychology
| Unique citing works | 5 |
|---|---|
| Citations per year | 0,5 |
| Citation span | 2016 - 2025 (10) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 5 |