Vulnerable to the Eye
Bibliographic Data
| ID | 14775150 |
|---|---|
| Authors | Robert Plant (Priest's House, Station Road, Topsham, Exeter, Devon EX3 OEE, UK., corresponding author) |
| Year | 2003 |
| Volume | 36 |
| Issue | 1 |
| Pages | 145-155 |
| Publication date | 2003-03-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Group Analysis (JOURNAL) |
| Journal identifiers | ISSN: 0533-3164 • E-ISSN: 1461-717X |
| Publisher | SAGE Publications (PUBLISHER • US) |
| DOI | 10.1177/0533316403036001210 |
| OpenAlex | W1994339403 |
| Language | EN |
| Citations received | 1 |
| References cited | 2 |
This article focuses on the importance of the foundation matrix for group analysis by considering shifts in the visual culture of the Western world since the beginning of the 20th century. The author explores the influence that these shifts have had on the development and practice of group analysis; in particular; by linking the development of group analysis with the move away from the single fixed-point perspective style of painting which dominated Western visual culture starting from the Renaissance until the advent of Cubism
Aesthetics · Archaeology · Art · Art history · Foundation (evidence · Group analysis · Painting · Perspective (graphical · Sociology · Style (visual arts · The Renaissance · Visual arts · Visual culture · Western culture · Hannah Arendt's Political Philosophy · History · Psychology · Russian Literature and Bakhtin Studies · Social Psychology · Visual Culture and Art Theory
| Unique citing works | 1 |
|---|---|
| Citations per year | 0,08 |
| Citation span | 2013 - 2013 (1) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 1 |