Die Dinge stets sich selbst folgen lassen‘ – Klang und Perzeption bei Giacinto Scelsi
Bibliographic Data
| ID | 14780447 |
|---|---|
| Authors | Elfride Reissig (University of Music and Performing Arts Graz, corresponding author) |
| Year | 2015 |
| Volume | 50 |
| Issue | 2 |
| Pages | 53-62 |
| Publication date | 2015-04-03 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Musicological Annual (JOURNAL) |
| Journal identifiers | ISSN: 0580-373X • E-ISSN: 2350-4242 |
| Publisher | University of Ljubljana (PUBLISHER • SI) |
| DOI | 10.4312/mz.50.2.53-62 |
| OpenAlex | W2280223700 |
| Language | DE |
| Citations received | 1 |
“Music cannot exist without sound, sound can exist without music, therefore sound is more important than music“, Giacinto Scelsi’s cipher for the cosmos of sound of the single-note, opens a creative space beyond expansion of power and control by improvising and therefore sound itself becomes the mystery
Acoustics · Art · Art history · Humanities · Improvisation · Literature · Physics · Visual arts · Art, Aesthetics, and Perception · Cybernetics and Technology in Society · Literature and Cultural Memory
| Unique citing works | 1 |
|---|---|
| Citations per year | 0.09 |
| Citation span | 2015 - 2015 (1) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 1 |