Renaissance Music Between Science and Art
The Case of Gioseffo Zarlino
Bibliographic Data
| ID | 14780460 |
|---|---|
| Authors | Nejc Sukljan (University of Ljubljana, corresponding author) |
| Year | 2020 |
| Volume | 56 |
| Issue | 2 |
| Pages | 183-206 |
| Publication date | 2020-12-30 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Musicological Annual (JOURNAL) |
| Journal identifiers | ISSN: 0580-373X • E-ISSN: 2350-4242 |
| Publisher | University of Ljubljana (PUBLISHER • SI) |
| DOI | 10.4312/mz.56.2.183-206 |
| OpenAlex | W3115143869 |
| Language | EN |
| Citations received | 1 |
| References cited | 4 |
This paper deals with the role of ancient music theory in Gioseffo Zarlino’s Istitutioni harmoniche and, within its framework, in particular with mathematical and physical considerations and their relevance to audible music. An outline of the treatise is followed by a presentation of Zarlino’s justification of music as scienza and arte. Finally, two case studies are presented on joining ancient theory with contemporary musical practice: the division of the interval and the system of the senario
Aesthetics · Art · Art history · Literature · Music education · Music history · Music theory · Musical · Philosophy of music · The Renaissance · Visual arts · Italian Literature and Culture · Music · Music Technology and Sound Studies · Musicology and Musical Analysis · Philosophy
| Citations per year | 0.33 |
|---|---|
| Citation span | 2023 - 2023 (1) |
| Highly cited | No |